![]() ![]() There’s simply nothing else out there like it. While it has been reprinted over the years, both the reprints and the original copy, as available here, are consistently among the most sought-after items in auctions. Since its initial publication, “Surf Riders of Hawaii” has become a cherished piece of surfing history. Gurrey's book played a crucial role in popularizing surfing and raising its awareness to a much broader audience. The original publication of “Surf Riders of Hawaii” introduced the world to the beauty and excitement of wave riding, a phenomenon that was relatively unknown outside of Hawaii at the time. publishing house, which was based in Honolulu, Hawaii. The book was initially published by the C. In 1914, Gurrey published his seminal work, “Surf Riders of Hawaii.” Widely considered the first-ever book on surfing, it’s an invaluable resource in the study and celebration of the early history of surfing in Hawaii. Additional pencil inscriptions include "Surf Boards" in the lower center and "Palmer Schoppe" at the lower right, ensuring the artist's signature is preserved for posterity This rare surfing lithograph bears the distinguished monogram of the printer, Lynton Kistler, tastefully placed in pencil at the lower left corner, alongside the notation "2/24." These markings not only authenticate the print but also provide valuable insights into its history and provenance. His works beautifully portrayed the everyday lives of manual laborers, musicians, circus performers, sunbathers, and, of course, surfers. Schoppe's focus on figurative subjects, capturing the essence of Southern California life during that era, earned him widespread recognition. In the 1930s, he found himself in demand as a drawing instructor for both the Chouinard Institute and Walt Disney Studios. Palmer Schoppe, the brilliant artist behind this mesmerizing print, began his artistic journey at the renowned Art Student's League of New York, where he received instruction from the esteemed artist Jean Charlot. What sets this artwork apart is its departure from traditional surfing-related art, offering a glimpse into the mid-1930s artistic aesthetic and the evolution of the sport. ![]() In the distance, the sails of sailboats dot the sparkling waters, adding a touch of maritime charm to the scene. Number two of a limited edition of 24, this print showcases two surfers gracefully standing on the shore, their wooden plank surfboards at the ready. It’s very rarely to have these trophies come up for auction, but here is your opportunity to own one from a true legend!Ī captivating lithographic print from the mid-1930s, this artwork by Palmer Schoppe offers a unique and stylistic depiction of the surfing culture of its time. Condition of the trophy has a well worn patina, crack in the statue base (repaired), rust showing on the etching lettering, wear and tear on the wood base and overall typical for being 50 years old. This particular trophy comes from the 1974 event, that was held at Sunset Beach and won by fellow competitor, Larry Bertlemann. ![]() The rarity of these trophies have made them one most sought after collectables in the surfing world. Each of the twenty-four hand picked invitees received a gold plated statuette of the Oscar inspired trophy. His prowess as a charger, earned him an invite into the the Duke Kahanamoku Hawaiian Surfing Classic, then considered the most prestigious event on the North Shore. Becoming well versed in the art of surfboard shaping, particularly known for “Big Wave Gun” surfboards, of which he is still plying his trade to this day…all the while, surfing big Sunset, Pipeline and Waimea Bay. Bursting on to the scene in the late ’60s, Owl became one of Dick Brewer’s disciples and tutored under the master shaper. Having spanned over five decades on the North Shore as a surfer, competitor, surfboard shaper and survivor, he’s seen and done it all. There has never been a more controversial or unique character in the world of surfing than Craig “Owl” Chapman.
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